This research examines how nineteenth-century literature helped shape modern attitudes toward disability. By analysing French realist novels and their connections to public spectacles such as morgues and wax museums, it argues that bodily difference was transformed into entertainment, influencing how contemporary audiences perceive disability and human value.

This research examines dismemberment in early modern drama to explore how cultural systems shape human responses to violence. By analysing plays such as Titus Andronicus, the project argues that fear and disgust are historically conditioned rather than purely instinctive, revealing how societies teach audiences to interpret violent imagery across different historical periods